Nigerian writer Ogunrinde earns global recognition in 2025 Live Canon Poetry Prize
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Ogunrinde’s longlisted poem, titled “Laughter,” stands among an impressive selection of works featured in the 2025 Live Canon Anthology, available via Live Canon’s official website.
Nigerian journalist and writer Oyelola Ogunrinde has been longlisted for the 2025 Live Canon International Poetry Competition, a prestigious UK-based literary award that has celebrated poetic excellence for over a decade.
The competition, known for its rigorous judging process and emphasis on technical mastery, emotional resonance, and originality, received thousands of entries from poets across the world this year.
Being longlisted, organisers noted, is a mark of exceptional literary quality and creative distinction.
The overall winner, Lauren Thomas, clinched the top spot with her poem “The Beekeeper of Heligan.”
The announcement was made during an online ceremony on Thursday, 23rd October 2025, by guest judge Nina Murray, an acclaimed poet and translator known for her evocative and thought-provoking works.
Murray commended the high calibre of submissions and the thematic diversity reflected in the finalists’ poems, noting that the entries captured a wide spectrum of human emotion, nature, and modern experience.
Ogunrinde’s longlisted poem, titled “Laughter,” stands among an impressive selection of works featured in the 2025 Live Canon Anthology, available via Live Canon’s official website.
Past winners of the competition include Inua Ellams, the Nigerian-British poet who took home the prize in 2014.
This year’s shortlist featured works such as “The Beekeeper of Heligan” by Lauren Thomas, “Rewilding at the End of the World” by Jen Feroze, “Pheasant Eggs” by Miles Gibson, and “The Gleaners” by Vasiliki Albedo, among others.
Ogunrinde’s recognition adds to the growing list of Nigerian writers making waves on the global literary stage, reinforcing the country’s vibrant contribution to contemporary poetry.
Shortlist
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Blow — Nicky Kippax
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Bycatch — Caroline Smith
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E = mc² — Kate Fenwick
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How Fungi Unmake and Remake the World and It’s Holy — Anne Cooper
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Pheasant Eggs — Miles Gibson
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Rewilding at the End of the World — Jen Feroze
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The Beekeeper of Heligan — Lauren Thomas
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The Cows on Testing Day — Ilse Pedler
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The Final Foley Session: Climate Emergency — Jane Thomas
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The Gleaners — Vasiliki Albedo
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The Old People’s Home at the End of the World — Anna Bowles
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To Mr Edwards (Physics) — Oenone Thomas
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We Never Found the River — Laura Theis
Longlist
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A Boy Scout Memory — Matthew McDermott
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Angels Have Blue Feet — Lesley Saunders
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Ascension Day — Martin Yates
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Asclepius — Bex Hainsworth
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Colourless Green Ideas Sleep Furiously — Brett van Toen
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Dinger, Short for Schrödinger — Sharon Black
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Dogwhelk — Claire Barnes
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Don’t Love Me — Mehmet Izbudak
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Even in Pristina We Get Ready for Winter — Lesley Sharpe
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Family Matters — Julia Webb
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Gaia Returns to Work After Maternity Leave — Karan Chambers
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How to Ferment Your Past — Denise O’Hagan
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I Am a Nothing-Doer — Katie Griffiths
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If I’m Only a Handbag, You Might Be One Too — Aileen La Tourette
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Laughter — Oyelola Ogunrinde
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Leicester Car Parks — Julie Runacres
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Love Map – A Zuihitsu — Vanessa Lampert
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Mount Famine — Mark Totterdell
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My Dad Wins the Charles Lindbergh Award for Driving to East Midlands Airport So Early the Terminal Has Yet to Be Built — Jeanette Burton
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Oscar’s Boat — Mary Mulholland
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Pitching God — Deborah Finding
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Playing Among Ruins — David Clark
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Self Portrait as All the Saints — Sue Burge
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Slow — Ruth Sharman
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Special Clinic — Lydia Kennaway
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The Bowling Action of Muttiah Muralitharan — Sarah Gibbons
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The Disaster Planner Enjoys Dessert — Suzanna Fitzpatrick
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The Resurrection of the Tasmanian Tiger — David Underdown
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The Shark God — Paul Terence Carney
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The Story Is Rain — Jeff Bien
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The Underside of Pigeons — Amelia Dowler
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This Cuckoo from Harappa — Rishika Williams
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Threads — Karis Williamson
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To a Magnolia — Oliver Dixon
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Towards the End — Penny Sharman
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When a Sindhi Woman Dies, So Does a Book — Sapna Bhavnani
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Wild Carrot Wild Mustard — Ger Duffy
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Wrecked — Lesley Curwen
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