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Twicy Delivers Steady Emotion and Rising Promise on “All Over Me”

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“All Over Me” works because it understands what it wants to be. A clean, affectionate, easy listening Afrobeats record anchored by clarity rather than excess.

By Emmanuel Daraloye

Twicy’s “All Over Me” is a three-minute two-second Afrobeats track built on clarity, and an uncomplicated expression of affection. From the first line, “Girl you fine, and I swear my baby na you blow my mind,” he signals the kind of direct emotional honesty that has long powered the genre’s most beloved love songs. Rather than reaching for elaborate metaphors, Twicy chooses the everyday language of admiration, the sort of words someone might actually say when they are trying to be sincere. That plainness becomes one of the track’s quiet strengths.

When he promises, “No go do you yawa, I always treat you right,” the sentiment is simple. He is not pretending to be larger than life. He is focusing on steady devotion. A line like “Girl you my remedy, my melody, my baby. With you I feel okay” may sound familiar, but Twicy delivers it with enough emotional steadiness that it lands as genuine rather than convenient. It reflects a growing trend in Afrobeats where young artists lean into vulnerability without sacrificing rhythm or swagger.

The chorus is the anchor of the song. “Baby you are the one. I desire you. Girl I no dey lie o.” Twicy repeats it with a conviction that feels intentionally circular, designed to stay in the ear long after the song ends. The hook “All over me” works both as a declaration of closeness and a recognition of how overpowering love can feel. The repetition is not decorative. It creates a small emotional loop, reinforcing the central message without exhausting it.

The production supports this approach. The beat is clean, mid-tempo, and carried by light percussion that gives the song a bounce without overcomplicating the arrangement. There is space around Twicy’s voice, which allows his tone to sit comfortably at the center. That space becomes especially helpful in the second verse, where he sings, “My baby no dey slow, when she dey for road, na speed she dey go, but she get control.” It is a neat little character sketch, one that captures admiration without drifting into exaggeration. When he adds, “Me and you together we go fly,” the imagery remains soft and grounded, suggesting partnership rather than fantasy.

The final section of the song brings the emotional arc full circle. Twicy admits, “I’m so glad that I met you my baby… you give me joy,” before closing with “Girl you steal my heart o.” These are familiar lines in Afrobeats, yet they feel consistent with the rest of the track’s emotional tone. Nothing here tries to shock or overwhelm. Instead, Twicy stays committed to gentleness and sincerity.

“All Over Me” works because it understands what it wants to be. A clean, affectionate, easy listening Afrobeats record anchored by clarity rather than excess. And if Twicy continues with this kind of energy, confidence, and emotional honesty, he positions himself as one of the promising new waves in the Afrobeats landscape, an artist ready to grow while keeping his sound grounded and human.

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